Free jazz as a true three-way conversation

Joe Lovano: Trio Fascination – Edition One

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I originally wrote about this disk when the boombox was only a page on my main blog, and it got deleted as the page got too long. It’s an excellent album, though, and deserved reposting. Here you go:

I’m not normally a fan of trios. They’re usually the work of a front man—on sax or piano, typically—and a rhythm section, typically a bassist and drummer. And what happens more often than not is the lead guy has to do all the musical heavy lifting, with the rhythm guys each getting occasional and often tedious turns in the spotlight. I much prefer quartets or quintets, where a couple of horns or a horn and a piano play off each other, often in overlapping conversation. Much more texture and interest to be had.

But Joe Lovano is a versatile, prolific sax player who has been called one of the brightest tenor players on the jazz scene today. And when I saw bassist Dave Holland and drummer Elvin Jones on the roster, I knew Trio Fascination—Edition One would be worth a listen. It is.

Lovano makes the most of this line-up. There’s no “just follow me, boys” front man/side men feel to this album—you get the kinds of conversations I look for in quartets and quintets.

The music [nine of the ten tracks are written by Lovano] continually blurs the line between straight bop and free jazz, always a good sound for me. There’s plenty of variety in the compositions too, not always a given when the tunes all come from the same source. The disk holds your attention start to finish.

The one non-Lovano track is the jazz standard Ghost of a Chance. Coming near the middle of the disk, it felt like the odd man out the first couple of listens. But the more I listened, the more it grew on me. Its languid pace and haunting, melodic treatment stick with you, and it serves as kind of a palate-cleansing intermission among the more angular pieces.

A caveat: If you go looking for this disk, do not get sucked in by Lovano’s Flights of Fancy, Trio Fascination Edition Two. On that disk, he hooks up with various musicians in trio settings, never as successfully as he does with Holland and Jones on this one. Worst of all, one of those musicians is harmonica player Toots Thielemans, on far too many tracks. I don’t know who first decided harmonica and jazz went together, but they don’t.

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One Response to “Free jazz as a true three-way conversation”

  1. Toni Says:

    I don’t mind trios – especially piano, bass and drums. But with a sax, I would agree – I’m generally more interested in quartets or quintets. Another one worth checking out!

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