I wasn’t always into avant garde jazz. In fact, Oliver Lake and his no-holds-barred free jazz actually put me off jazz for a good long while. So as I made my way back into jazz, I gave alto saxophonist Ornette Coleman, one of the major innovators of the free jazz movement, a wide berth.
I’ve since embraced the avant garde, thanks in no small part to Chicago reed player Ken Vandermark. Still, Coleman’s reputation as an inventive and often challenging experimenter with sound is legendary. So when I came across an album of his titled Change of the Century, I was excited to see what all the, um, noise was about. I mean, we’re talking about a man who, early in his career, was assaulted after a performance and his saxophone destroyed.
What I found in this 1959 release was another example of the need for reliable, affordable time travel. My first couple/few listens, it was hard for my less than trained ear to pick up much difference from be bop being played at the time. I’ve heard enough of what has come since that this was just not the revolution I was expecting.
But what I heard from the first listen was really exciting jazz. And the more I listen to it, the more innovative and even angular some of it indeed sounds. Like much of the best jazz I’ve heard, the music is a true collaboration and conversation among all four musicians. There is no leader/sidemen vibe. You couldn’t ask for better collaborators either: Don Cherry on pocket trumpet, Charlie Haden on bass and Billy Higgins on drums. Small wonder that Amazon has named it an essential recording. Maybe Change of the Century isn’t quite what the name promises, but it is part of a sea change in music. Just as important, it’s some great, listenable jazz.